“Metal is alive long before I begin shaping it — I only reveal what it already wants to become.” — Rado Kirov
Working with stainless steel is often seen as mechanical or rigid. Yet, the material has its own temperament — a way of reflecting light, movement, and emotion that makes it feel alive. This…
“A surface can hold both stillness and tension — just like human emotion.”
Fluid forms in my sculptures represent more than aesthetics. They are metaphors for shifting feelings, memories, and inner landscapes.
Emotion expressed through movement
The curves, folds, and distortions carry emotional charge — from calmness to tension.
Harmony meets distortion
As emotions rarely…
“The living surface symbolizes change — of time, motion, and the self.”
The Mercury Effect is not only a technique; it is a philosophy about transformation and perception.
A visual language of motion
The surface seems to flow even when still, capturing the tension between fluidity and solidity.
Material that breathes
The metal passes through…
“A sculpture is never alone — it speaks with the space it inhabits.”
Placement as part of the artwork
Every location changes how the sculpture behaves visually.
Light as a collaborator
Stainless steel reacts dramatically to lighting, turning static forms into dynamic experiences.
Immersive environments
The aim is for the viewer to become part of…
C apturing transformation
Every stage shows the evolution of the material — stress, movement, shaping.
The process is as meaningful as the final sculpture.
A visual archive
Documentation preserves the story behind the final polished form.
The Blade – full outdoor view on trailer during installation
The Column (2013) – a 5-meter mirrored stainless-steel sculpture…
“Architecture teaches us how form breathes, expands, and holds space.”
Structured chaos
Though the sculptures appear fluid, they follow architectural precision and proportional logic.
Working with space
Each piece is designed to communicate with its environment, not stand apart from it.
Monumental thinking
Large-scale public projects shape the way form, mass, and movement are approached.