Artist Statement
With Free Fall III, Rado Kirov turns the cube into momentum. Each block is slightly rotated and offset, so the stack reads like a captured trajectory—mass translated into rhythm. The mirror-polished faces behave like liquid: trees, sky and viewers shear across the planes, while deep shadows carve between volumes to keep the silhouette crisp. The ascent culminates in a small, seemingly weightless cube that hangs above the cluster, converting gravity into poise. The work extends Kirov’s Mercury Effect research, where sculpted steel acts as both object and lens, letting the environment paint itself onto the sculpture.
1/1 Modern Exhibition
Site the piece on a calm plinth with generous breathing room and a matte ground so the profile stays legible. Soft, directional light from one side makes the rotations read; avoid flat overhead wash. Ideal viewing distance is 3–5 m with a slow walk-around. Cleaning is minimal: microfiber only and a pH-neutral solution; no abrasives or chlorides.
1/2 Renaissance Works
A column built from cubes—order becoming motion—so reflection replaces pigment and sky becomes the finishing layer.
Details
Material: mirror-polished 316L stainless steel (Mercury Effect). Configuration: three related volumes derived from cross sections of a cube; coffee-table height. Year: 2018. Display: gallery and private interiors.







