Artist Statement
Gravity examines the relationship between form, perception, and the pull of the physical world. The surface behaves like frozen liquid—its undulating patterns appear to flow downward, echoing the natural pull that gives the piece its name. As light and surrounding colors distort across the mirrored plane, the sculpture becomes a living surface, never the same twice.
This work plays with the idea of suspended motion: an object that appears to drip or fold under invisible pressure, yet remains entirely rigid. By treating stainless steel as an elastic medium rather than a solid mass, Gravity blurs the boundaries between sculpture and environment. Its reflective presence invites viewers to observe not only the form itself, but also how they interact with it.
1/1 Installation
The piece’s design allows for two modes of presentation:
Wall-mounted
- Ideal for galleries, contemporary interiors, or minimalist architectural spaces
- Mounting brackets should be reinforced due to the weight of the steel
- Works best with soft, directional lighting to emphasize surface depth
Freestanding
- The built-in base supports upright display
- Suitable for open-plan spaces, lobbies, or sculpture displays where the viewer can approach from multiple angles
- Natural light enhances the “flowing” effect of the upper surface
The mirrored surface interacts strongly with its surroundings, so placement near windows, textured walls, or movement creates dynamic reflections.
1/2 Relational Works
Liquid Mercury II – similar wall-oriented reflective surface with dynamic distortion
The Wedge / Pedestal Series – exploration of gravity, balance, and material tension
River Wild – liquid-like stainless-steel forms emphasizing motion and flow
Monolith Series – vertical format works with strong reflective patterns
