Artist Statement
With Crystals I translated the language of geology into reflective metal. Each upright is forged and planished into a tapering prism—edges tighten, planes tilt, and the Mercury Effect skin turns sky and landscape into facets of light. Installed as a small “field,” the pieces read as a growing crystal cluster: independent forms that interlock visually, creating tension between raw vertical energy and mirror-smooth surfaces. The work is meant to be walked around; the composition changes with every step, revealing new alignments and flashes.
1/1 Modern Exhibition
Site outdoors or in a large atrium with a 4–6 m viewing envelope. Arrange 3–7 prisms with varied heights and rotations to build a natural cluster. Light with grazing side light at dusk or from low, narrow beams to pull long highlights along the edges; avoid flat frontal flood which collapses the facets. Maintain clear ground finishes (stone, gravel, lawn) so the reflections remain legible.
1/2 Renaissance Works
A bouquet of mirrored prisms—light crystallised in verticals.
Details
Material: mirror-polished 316L stainless steel (Mercury Effect)
Configuration: multi-element cluster; outdoor/indoor
Height: up to 3 m per element (custom configurations available)
Foundation: concealed stainless base or engineered footings
Year: 2017
