Artist Statement

The Pyramids rework one of the oldest sculptural archetypes into a contemporary language of reflection and flow. Each pyramid begins as a clear geometric volume, then its stainless-steel skin is pressed into soft, uneven waves that break up the planes. The result is a trio of peaks that remain sharp in outline, yet behave optically like a moving, metallic terrain.

Seen as a group, the three scales suggest a small topography—related but not identical forms, each catching light and color in a different way. Surroundings, architecture and viewers fragment across their faces, sliding from one pyramid to the next. The work invites the eye to travel between them, tracing lines of reflection that link the individual pieces into a single sculptural constellation.

Whether installed as a tight cluster or with more space between them, The Pyramids play with ideas of monumentality, memory and mirage: ancient silhouettes rendered in liquid metal.